Suplais is a universe where design and nature converge, transforming the everyday into art.

Inspired by the forms of nature, landscapes and materials with history, our pieces encapsulate the balance between the organic and the structural, the spontaneous and the timeless.

At Suplais, each piece is unique and unrepeatable, reflecting the beauty of craftsmanship.

We do not use moulds, which means that no two pieces are exactly alike.

As in nature, where perfect copies do not exist, our jewellery celebrates the spontaneity of the material and the hand that creates it.

We design in Barcelona and produce together with local artisans and Argentina.

We use discarded glass, carefully selecting fragments that were once part of a 1970s window, old Murano decorations or forgotten chess pieces. This process makes every colour, every texture and every shape different, allowing the magic to happen.

What started as a vision in Argentina took shape in Barcelona in 2022, when I moved to Barcelona.

My name is Merlina and I am the person behind Suplais.

For me, jewellery is much more than an adornment.

It is a language, a way of connecting with others through something tangible, personal and timeless.

It is experimenting with the infinite possibilities of glass and exploring its duality: strong yet fragile, transparent yet full of depth.

Craftsmanship has the power to leave a mark, to capture the essence of the person who creates it and transmit it to the person who wears it.

Each collection is a reflection of the places the designer has inhabited, where fruit markets, colours and natural elements inspire fluid shapes and textures full of life.

Through glass, a material with memory, Suplais recovers glass that was once windows, vases or forgotten pieces and, together with local artisans, turns them into jewellery with soul.

At Suplais, each piece of jewellery is more than an object: it is a work in continuous transformation, an expression of the imperfect, the spontaneous and the beauty that is born in the unexpected.


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